The Gold review: the BBC’s Brink’s-Mat heist drama

Neil Forsyth’s six-part BBC drama about the 1983 Brink’s-Mat robbery is less about the heist than the money trail, and it’s one of the best British crime series of recent years.

Still from The Gold, BBC crime drama about the 1983 Brink's-Mat robbery
Contents

The robbery itself was over in a morning. Getting rid of the gold took years, and it pulled in solicitors, smelters, bent money men and, according to plenty of people who should know, a fair chunk of the Docklands property boom. That’s the part this BBC drama is interested in, and it’s why the series is so good.

Premiere2023-02-12
GenreCrime, Drama
CastHugh Bonneville, Tom Cullen, Charlotte Spencer, Jack Lowden
Watch onBBC iPlayer

Poster for The Gold, 2023 British crime drama series

The robbery is just the opening scene

The Gold starts where most heist films finish. The gang get into the Brink’s-Mat warehouse near Heathrow expecting cash and find bullion instead. That should be a lucky break. It’s really a problem, because a stack of gold bars with serial numbers is about the least convenient loot a south London crook could end up with. You can’t spend it in the pub.

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From there the story splits in two. On one side is the police inquiry, run by the Flying Squad under a senior detective who is old school, stubborn and very hard to fool. On the other is the job of getting rid of the stuff: melting the bars down, putting the gold back into the legitimate market, and passing the money through respectable-looking businesses until nobody can tell where it came from. That’s as far as I’ll go. If you know the real case you know roughly how it turns out. If you don’t, it’s more fun not to look it up.

Who’s in it and who made it

The writer and creator is Neil Forsyth, the man behind Guilt, which was one of the sharpest British dramas of the last decade and which far too few people watched. He brings the same dry wit and the same feel for people who are cleverer than their circumstances. Hugh Bonneville leads the police side as Brian Boyce, the detective in charge, and anyone who still thinks of him as the nice earl from Downton Abbey will be pleasantly surprised. He’s flinty, tired and quietly menacing.

Jack Lowden plays Edwyn Cooper, a solicitor with expensive tastes who works out that a mountain of dirty money can be very good for a career. Dominic Cooper is Gordon Parry, a villain with big plans, and Tom Cullen plays Kenneth Noye, the Kent businessman who sits at the centre of the laundering operation. Charlotte Spencer, Emun Elliott and Sean Harris fill out a strong ensemble. Harris, as usual, makes you uneasy just by being in the room.

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What works, and the odd bit that doesn’t

The real achievement is making money laundering exciting. On paper it’s spreadsheets, shell companies and men in loud ties having lunch. Forsyth turns it into a thriller about class and ambition. The working-class robbers need middle-class professionals to make their money respectable, and those professionals are happy to help as long as it pays. Neither side really trusts the other, and that tension drives the whole series.

The heist takes a morning. The real crime is the years of respectable men in good suits making the money look clean.

It also nails Thatcher-era Britain without going overboard. There are a few needle drops and some regrettable knitwear, but the period detail is used to make a point rather than for nostalgia. This is a country where the rules about money are being torn up, and plenty of people who aren’t wearing balaclavas are doing very nicely out of it. It is quietly furious about that, which I liked.

The quibbles are minor. With so many characters and so much financial detail, the middle episodes ask you to keep up, and if you watch with one eye on your phone you’ll be lost by episode three. A couple of the police characters are thinly drawn next to the villains, who get all the best lines. That’s par for the course with crime drama, and the villains really are better company.

How it went down with critics and viewers

The Gold went out on BBC One in February 2023 and was one of the channel’s big drama successes of the year, popular with viewers and widely praised by critics. Most of the praise went to Forsyth’s writing and the cast, Bonneville especially. I haven’t been able to check specific star ratings or aggregate scores in time for this piece, so I won’t give you made-up numbers. The short version is that it was one of the year’s most talked-about British dramas, and it earned a second series.

If you want the real story afterwards, the BBC also made The Gold: The Inside Story, a 2023 documentary about the robbery and the hunt for the three tonnes of gold. Watch it after the drama, not before, unless you like knowing how things end.

Where to watch The Gold in the UK

The Gold is on BBC iPlayer, so it’s free to stream with a TV licence. There are six episodes of about an hour each, which makes it a comfortable week of evenings or one ambitious wet weekend. It’s a British production made for the BBC and first shown on BBC One in February 2023, so there’s no waiting for a UK release and no extra subscription to pay for.

Verdict

The Gold is clever, grown-up and quietly angry, a heist drama that cares less about the robbery than about who got rich from it afterwards. Forsyth’s script and a cracking cast make laundering gold as tense as any car chase. If you like intelligent British crime drama in the vein of Line of Duty or Guilt, or you remember the headlines from 1983, this is six of the best hours on iPlayer.

Sources

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